{"id":9689,"date":"2025-04-11T17:12:07","date_gmt":"2025-04-11T15:12:07","guid":{"rendered":"https:\/\/operapaskaret.se\/?p=9689"},"modified":"2025-04-11T17:10:28","modified_gmt":"2025-04-11T15:10:28","slug":"a-set-designer-must-create-obstacles-for-the-characters","status":"publish","type":"post","link":"https:\/\/operapaskaret.se\/en\/a-set-designer-must-create-obstacles-for-the-characters\/","title":{"rendered":"“A Set Designer must create obstacles for the characters”"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/operapaskaret.se\/wp-content\/uploads\/2025\/04\/SvenOstberg\u00a9andreas-hylthen-photographer-scaled.jpg” title_text=”Sven\u00d6stberg\u00a9andreas hylthen photographer” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Not everyone has the job of complicating things for their colleagues, but that\u2019s exactly the task for Opera p\u00e5 Sk\u00e4ret\u2019s set designer Sven \u00d6stberg. And over the years, he\u2019s created quite a few obstacles. This year marks his twentieth production at Sk\u00e4ret.<\/strong><\/p>\n

By now, Sven \u00d6stberg knows the opera house at Sk\u00e4ret well. This enormous timber warehouse standing proudly by the shores of Lake Ljusnaren, transformed into an opera house. It doesn\u2019t resemble traditional opera houses, and perhaps that\u2019s exactly why Sven keeps coming back.<\/p>\n

– The opera house is just one big empty room. As long as you stick to the laws of physics, you can fill it with absolutely anything. In a traditional theatre, the stage is framed and becomes a room of its own. The theatre space is split into two separate rooms. But that\u2019s not the case here at Sk\u00e4ret, and when everyone is in the same room, the feeling of distance is reduced. It\u2019s easier to draw people into what\u2019s happening.<\/p>\n

It certainly sounds fantastic to have an empty space to fill as a set designer, especially one with such grand volume.<\/p>\n

– The room is so magnificent that I believe it, in itself, signals to the audience that something truly special is about to happen.<\/p>\n

Psychological and functional perspective<\/strong><\/p>\n

According to Sven, a set designer needs both a psychological perspective and a functional one.<\/p>\n

– My task is to create environments that support the psychological dynamics unfolding between the characters. The environment must be able to move the drama forward, in the direction it\u2019s meant to go.<\/p>\n

Stairs for example is an excellent tool for this. Levels offer good opportunities for movement patterns that can convey a lot about a person. When a character descends a staircase, the body language naturally opens up, making the character large and visible.<\/p>\n

– You can spend a lot of time just on stairs. In this year\u2019s production of Turandot, there will be one or two staircases. At Sk\u00e4ret, there\u2019s currently an ongoing discussion about the width of the steps. Should the staircase be good to stand on or to pause on?<\/p>\n

And then there\u2019s that thing about making things difficult for one\u2019s colleagues. Creating obstacles is a tool that can be very useful for driving the story forward. It doesn\u2019t have to be big; it could be a cushion lying on the floor. Does the character step over it, pick it up, trip over it, or go around it?The approach says something about the character and contributes to the overall picture.<\/p>\n

– But sometimes, of course, you as a set designer just want to keep a set design because it\u2019s beautiful. Then it\u2019s good to have a bit of distance from your own artistry to make things work.<\/p>\n

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Not everyone has the job of complicating things for their colleagues, but that\u2019s exactly the task for Opera p\u00e5 Sk\u00e4ret\u2019s set designer Sven \u00d6stberg. And over the years, he\u2019s created quite a few obstacles. This year marks his twentieth production at Sk\u00e4ret. By now, Sven \u00d6stberg knows the opera house at Sk\u00e4ret well. This enormous […]<\/p>\n","protected":false},"author":7,"featured_media":9680,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[35,40],"tags":[],"class_list":["post-9689","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-nyheter-en"],"yoast_head":"\n"A Set Designer must create obstacles for the characters" - Opera p\u00e5 Sk\u00e4ret<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operapaskaret.se\/en\/a-set-designer-must-create-obstacles-for-the-characters\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""A Set Designer must create obstacles for the characters" - Opera p\u00e5 Sk\u00e4ret\" \/>\n<meta property=\"og:description\" content=\"Not everyone has the job of complicating things for their colleagues, but that\u2019s exactly the task for Opera p\u00e5 Sk\u00e4ret\u2019s set designer Sven \u00d6stberg. 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